Steve's Music Center
248 Rock Hill Drive, P.O. Box 760
Rock Hill, NY 12775
Phone/Fax 845-796-3616

THD UniValve

Single-Ended Class A Amplifier Head

Sound Samples

THD UniValve Single-Ended Class A Amplifier Head

Click here for the BiValve

Click here for the Flexi-50
 

The THD UniValve is a Single-Ended Class A amplifier head with a single output tube that can be switched at will among many octal-based power tubes, including 6L6, EL34, 6550, 7027, KT90, KT88, KT77 and KT66, for different tones without re-biasing the amp. Likewise, the two preamp tubes can be any combination of 12AX7, 12AT7, 12AU7, 12AY7 or 12AZ7. The UniValve delivers tones from smooth and clear to very aggressive overdrive. It is easily capable of driving a 4 x 12" cabinet, yet quite small and light. It has a built-in Hot Plate™ Power Attenuator that allows for full output distortion at almost any volume. And it doesn’t cost as much as you might think.

What is a Class A?

Class A is a term given to an amp that runs its tubes at full current all the time, unlike most tube amps that alternate between running one set of tubes and the other set, each for one half of the wave. The set not in use is turned off by a positive swing of the grid voltage. Single-ended out-put stages always operate in Class A. Most push-pull amplifiers, including the venerated Vox AC-30 operate in Class AB when overdriven, even if they are in Class A while clean. The upshot is that Class A operation has its own unique tone characteristics that set it apart from other tube amp classes. Class A amps sound great at low volumes, and even better as you turn them up. Thus, with the relatively low wattage of the UniValve you can turn up the amplifier to take full advantage of its stunning output distortion tone without deafening anyone.

Why the self-biasing feature?

The UniValve’s circuitry senses the current needs of the output tube and provides the correct bias volt-age to the cathode of the output tube regardless of tube type or wear.

This means that, without any trip to an amp technician, you can simply replace the output tube with one that has different sound characteristics. (Of course, you can also change the preamp tubes at will for even more tonal variations.) For example, a 6550 will stay cleaner at higher volumes, but when overdriven, has an astoundingly "woody" character to the overdrive. On the other hand, an EL34 will break up earlier than a 6550 and gives a more "British" sound. The ever-popular 6L6 family of tubes gives a tight overdrive with less power than a 6550 but more detail than an EL34. Even within the same type of output tube there are "harder" and "softer" tubes, so two guitarists playing with the same guitar through the same UniValve, but simply switching the tubes to their preference, can have noticeably different tones.

Controls and Features

The UniValve has two inputs: one for high gain and one for low gain ranges. The low gain input with 12AX7 preamp tubes in the amp gives a wide range of clean sounds from "Country" clean and crisp to Jazz-direction warmth. With the controls pegged and a relatively high-output humbucker, the low-gain input can deliver a very convincing "Texas Blues" type of overdrive. Plug into the high-gain input and you are in a whole different world from early "British Invasion" tones to contemporary Heavy Metal sounds. The most surprising aspect to the UniValve’s high-gain overdrive is that even with stunning levels of grind, you can still play complex chords and hear every note of the chord clearly. There is none of the mush and confusion normally associated with high-gain tones.

The controls are the traditional Volume, Treble and Bass controls along with what we call an "Attitude" control. The Attitude control is not a Presence control, as the amplifier has no negative feedback from the output transformer back into the driver stage. The Attitude control determines how the driver stage responds to signal and how it drives the power tube. There is also a built-in THD Hot Plate power attenuator that lets you have full output distortion at any volume level. The Hot Plate has its own hard-bypass switch on the front panel, which completely removes it from the circuit for Full-Power playing into a speaker.

The UniValve features a light bulb on the front panel that not only glows when the amplifier is played, but it also provides very effective noise-reduction. For occasions when you do not want this feature, there is an On-Off switch for the light bulb circuit right on the front panel.

The UniValve has a GREAT-sounding transformer-isolated line out on the back panel complete with an adjustable level control and a switch to choose Line-Level or Instrument-Level signal. The transformer used in the line-out was chosen for its pickup-like impedance and tonal characteristics. Most amplifiers’ line-outs only work well when used to drive other power amplifiers, and sound harsh and thin when plugged into the guitar input of an amplifier. Not so with the THD UniValve! Even into the input of a Marshall 100-watt head, the UniValve provides a warm, fat, tight and sweet sound that FEELS like an amplifier, not like a preamp-amp rig. The UniValve can drive any speaker load from 2 ohms all the way up to 16 ohms. When there is no speaker plugged into the speaker jack, the amp uses its own built-in dummy load so no damage will occur, and to allow the silent use of the amp for direct recording purposes when miking a cabinet is not practical.

Configuration

The UniValve is initially sold only as a head. It is a metal chassis, powder coated and enclosed in a perforated steel cage to protect the tubes.

We recommend the Nick Greer 112-8 Speaker Cabinet to accompany your UniValve.

Out of stock

e-mail Steve

back

The THD UniValve® Amplifier Sound Samples

nickeruption.mp3
Guitar panne hard left an plate verb hard right. Use the balance control to control how much verb you want to hear. UniValve with a KT66 into a Basket weave 4x12 with V30s. Played by Nick Sterling

 
1.3 MB
kqgskt66.mp3
Another Nick Sterling UniValve clip...

 
576 KB
Uni6550-1.mp3
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a Svetlana 6550, and EH 12AX7s, Celestion Vintage 30 close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. UniValve was set to HiV, all controls at 4 o'clock. Rock input. No boost or efx used.

 
403 KB
  Uni6550-2.mp3  
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a Svetlana 6550, and EH 12AX7s, Celestion Vintage 30 close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. UniValve was set to HiV, all controls at 4 o'clock. Rock input. No boost or efx used.

 
    82 KB
  Uni6L6G.mp3  
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a Sylvania 6L6G, and EH 12AX7s,. Celestion Classic Lead80. close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix .Roll input everything dimed except attitude at 3 o'clock, LoV setting, NR on.

 
    19 KB
  Uni5881-Lap.mp3  
Dan Tyack playing Bill Asher Lap Steel. UniValve with a Tubg-Sol 5881.

 
    287 KB
  UniEL34-1.mp3  
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a Svetlana 6550, and EH 12AX7s, Celestion Vintage 30 close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. UniValve was set to HiV, all controls at 3 o'clock. Rock input. No boost or efx used.

 
    161 KB
  UniEL84-1.mp3  
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a JJ/Tesla EL84, and EH 12AX7s, Celestion Vintage 30 close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. UniValve was set to HiV, all controls at 5 o'clock. Rock input. No boost or efx used.

 
    92 KB
  UniEL84-2.mp3  
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a JJ/Tesla EL84, and EH 12AX7s, Celestion Vintage 30 close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. UniValve was set to HiV, all controls at 5 o'clock. Rock input. No boost or efx used.

 
    1.7 MB
  Uni6CA7-1.mp3  
Bill Lyerly with a PRS EG III, into the Rock input of the UniValve with a Phillips 6CA7. EH12AX7. Speaker is a Celestion Silver Series.

 
    463 KB
  Uni6CA7-2.mp3  
Bill Lyerly with a PRS EG III, into the Rock input of the UniValve with a Phillips 6CA7. EH12AX7. Speaker is a Celestion Silver Series.

 
    634 KB
  Uni6L6G-2.mp3  
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a Sylvania 6L6G, and EH 12AX7s,. THD Longhorn speaker close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. Roll input everything dimed, LoV setting, NR on.

 
    795 KB
  UniPedal-1.mp3  
Dan Tyack using the UniValve with a Franklin pedal steel at a recent Campbell Brothers gig.

 
    569 KB
  UniPedal-2.mp3  
Dan Tyack using the UniValve with a Franklin pedal steel at a recent Campbell Brothers gig.

 
    571 KB
  UniPedal-3.mp3  
Dan Tyack using the UniValve with a Franklin pedal steel at a recent Campbell Brothers gig.

 
    606 KB
  UniPedal-4.mp3  
Dan Tyack using the UniValve with a Franklin pedal steel at a recent Campbell Brothers gig.

 
    642 KB
  Uni6l6G-3.mp3  
Andy Marshall with a Patrick Eggle with Fralin PAF humbuckers into the Rock input, Sylvania 6L6G and EH12AX7s, THD Longhorn close miked with a Shure SM57 into a Roland VS 1680.

 
    1 MB
  Uni6L6G-4.mp3  
Ed DeGenaro with a Suhr Strat with tele bridge pick-up into Roll input. Sylvania 6L6G and EH12AX7s, THD Longhorn close miked with a Shure SM57 into a Roland VS 1680.

 
    277 KB
  P90.mp3  
UniValve

 
    450 KB
  Track12.mp3  
UniValve

 
    308 KB
  Track14.mp3  
UniValve

 
    766 KB
  Track03-1.mp3  
UniValve

 
    293 KB
  Track05.mp3  
UniValve

 
    927 KB
  Track06.mp3  
UniValve

 
    474 KB
  Track08.mp3  
UniValve

 
    524 KB
  Track10.mp3  
UniValve

 
    611 KB
  Angelucci-1.mp3  
Robbie Angelucci running the Univalve into a 1x12 cab with an E-Voice speaker. Guitars were a Strat and a Les Paul.

 
    524 KB
  Savage1  
Bob Savage using the UniValve with a THD 2x12. Various tubes and settings.

 
    512 KB
  Savage2  
Bob Savage using the UniValve with a THD 2x12. Various tubes and settings.

 
    560 KB
  Savage3  
Bob Savage using the UniValve with a THD 2x12. Various tubes and settings.

 
    594 KB
  Andy Steel1  
Andy Marshall using the UniValve for Lap Steel. Asher Lap Steel into the Uni into a THD 2x12. 6k6 and 12AX7s.

 
    1.46 MB
  Andy Steel2  
Andy Marshall using the UniValve for Lap Steel. Asher Lap Steel into the Uni into a THD 2x12. 6k6 and 12AX7s.

 
    1.61 MB
  34.mp3  
UniValve

 
    1.6 MB
  beckish.mp3  
UniValve

 
    1.9 MB
  ifilm.mp3  
UniValve

 
    1.3 MB
  nonfunk.mp3  
UniValve

 
    2.5 MB
   The THD Hot Plate®
  CarlVerheyen-1.mp3  
Excerpt from Carl Verheyens CD Garage Sale. 60s Strat into a THD Plexi into Hot Plate.

 
    616 KB
  HotPlateDemo-1.mp3  
Hot PlateDemo-1 is a Suhr Tele with humbuckers into a cranked THD Plexi, attenuated down with the Hot Plate and the same riff repeated.

 
    182 KB
  HotPlateDemo-2.mp3  
HotPlateDemo-2 is the same track but for every 4 dB step of attenuation the level at the mixer was brought up 4 dB in order to allow a comparison of the attenuated sound at the same level. Recorded close miked with a SM57 on a Celestion Vintage30 into the Roland VS recorder.

 
    74 KB
  CarlVerheyen-2.mp3  
Excerpt from Carl Verheyens CD Garage Sale. 60s Strat into a THD Plexi into Hot Plate

 
    836 KB

Click HERE for Return Policy. Questions? Call or e-mail us at steve@stevesmusiccenter.com.
Prices quoted are subject to change.  Quantities are limited on some items. 
If you plan to order more than one of this item, please contact us before ordering to verify availability.

HOME/SEARCH | acoustic guitarsamps | audio | basses | drums | effects a-f | effects g-z | electric guitars | guitar accessories
guitar tuners | harmonicas | mandolins / banjos | pickups | map/directions | meet Steve | e-mail Steve | Buy! review cart